If it wasn't for River Trails Jr. High Wrestling Team, there may not have been a SCREECHING WEASEL. This is where we met. Spot the Weasel and the Jughead.
VIGILANCE AND LOVE IN THE FACE OF WHAT WE HATE As a product of a community of punk that we all have helped to create, we sometimes have to look back to when we were young. We saw the world from the perspective of outcasts, of oddballs, of lost souls from an island of misfit toys, of people that felt they had to rebel, but at times we may not have known what we were rebelling against. And now that I am older I am here to say, “My friends, this thoughtful struggle never ends.” We must always be vigilant. We must always strive to prevent ourselves from becoming what we hate. And what we hate changes over time. We must be aware of what new hates come from experience and which ones come from surrender. Recently I went through a punk existential dilemma questioning my place in this scene. I want to thank my friends for helping me to see the perspectives needed to make my own decisions to continue this fight to be a positive force, my rebellion to face adversity with kindness an...
http://www.rollingstone.com/music/lists/50-greatest-pop-punk-albums-w508222 I remember we drove Ben's malibu to the west suburbs of Chicago to play in one of our parents' basements, to start learning the new songs for our reforming the band, under the blanket of following our passions and being a bit more melodic. I called it Melodic Punk then, there was no term "pop punk" yet. Ben showed us the basics for What We Hate, I chose to play an octave higher than Vapid, thought it would give it more desperate energy, which is what Ben and I talked about alot, playing beyond our capabilities, neither of us were very good guitar players at the time. And this helped to give it that feel. Ben wrote the easy melodic solo for the opening, but I decided to play this wanky weird hammery thing when the song kicks in after Vapid plays the rhythm guitar part at the start. And as soon as the band began rehearsing this song with the pieces in place that day, behind Panic's drummi...
I haven't done one of these Screeching Weasel remembrances in awhile. But my friend David just asked me a question, and this came up. It is more about the nuts and bolts and really has no emotional content. The photo is from the contact sheet I have of the House of Blues shows that took place in 2000 and 2001. I am not sure which show this is from. David: Hey John, you may have addressed this in your album videos, but did you use the same guitar for most of the Weasel recordings? John: Up until Bark Like a Dog I used basically the same guitar, a cheap 100 dollar Westone I bought in a record store. I used that for 10 years, till it nearly fell apart. That guitar is in a personal museum at Jeff Spreitzer's house. I had a back up guitar that was a strange Gibson Telecaster, but I never used it. I eventually gave it to Andrea from The Manges. His guitar cracked on the plane ride over from Italy to Chicago. I gave it to him and it still had the setlist from the Anthem tour tape...
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